![]() ![]() I also dont know much about video editing softwares though. It can record everything else perfectly but when I try with my webcam, it crashes. Create a new ScreenCapture Job using its Constructor. Every time I try to record my screen on Microsoft Expression Encoder 4 Screen Capture with the webcam, it crashes. While the commercial version Microsoft Expression Encoder 4 Pro provides number of additional. I'm not much of a youtuber just did it once for fun. Microsoft Expression Encoder 4 PRO : is an advanced audio/video-encoding and live-broadcasting application especially suited for generating content that. Microsoft Expression Encoder 4 Screen Capture crashes when I click the webcam icon. Hi there guys,Watch this video to learn how to download and activate the best streaming and video editing software ever in the market. Use Bandicam there is a watermark but it's a pretty amazing software much better then Fraps just buy Bandicam so you wont have to deal with the watermark and it runs amazingly I've gotten high quity high def videos before. When I play back my screen cap recording w/ my voice audio over it. it's the only video recording software that requires you to render your videos and it takes FOREVER to render the videos. to record voice audio over Microsoft Expression Encoder 4s screen capture software. Sorry for for caps but never use that piece of ♥♥♥♥. DO NOT USE MICROSOFT EXPERSSION ENCORDER! so i see what your telling me is i just need somthing to record with and somthing to edit. (even for streaming screen capture) you should select the Live Source. Put our video transcoding, streaming, testing, monitoring, desktop video encoding and closed captioning to enterprise-class video workflow automation. no i have Vegas Pro Suite so im not penniless, i have a new $2500 PC and yes i am a windows user thats why im using Microsoft Expression Encoder. Next step is downloading the Microsoft Expression Encoder 4 PRO SP2 (you can. ![]() I imagine this is going to straight to YouTube, so encode it in whatever the hell you want, I'd recommend libtheora, and libvorbis. ![]() Then, use your favorite editing software. Try VLC, for screen captures it's cross platform, and GPL. I'm assuming you're a penniless, Windows user that plans on doing this with a terrible laptop. Publicado originalmente por Miss Futa:You need screen capture, and editing software. ![]()
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![]() Now bidding continues between P3 and P4 until one of them also passes). When a player bids an amount, they are betting that their team will score at least that amount by the end of the round based on the cards in hand (EXAMPLE: P2 starts the bid with 20, P3 bids 21, P4 bids 23, P1 passes, P2 passes. ![]()
![]() ![]() On Android, users always have access to system Back, Home, and often Overview (formerly Recents) functions. The system status bar, navigation bar, and physical buttons ![]() For example, if an item detail activity in your app says it can support intents representing “view clicking on a link like that in a web browser will allow the user to choose between visiting that page or seeing that item inside your native app (and possibly save their preference). Intents also allow you to replace websites with their native app equivalents. For example, to allow apps to share a photo or piece of text with your app, simply ensure the “compose a message” activity in your app supports intents representing “share this piece of text” and “share this photo.” Many of the App Extensions provided in iOS 8 have equivalents on Android that are implemented using intents. Your app takes the edited photo and sends it off in a message.The photo-editing app passes back the edited photo to the camera app, which then passes back that photo to your app. After editing the photo, they can press “OK” and be directed back to your app. The user might be presented with a list of apps that can edit photos and the user may choose one.The camera app can trigger an intent representing “edit this photo.” After taking the photo, the camera app might show them an “edit photo” option. The user gets taken to their camera app of choice.Most camera apps on Android support this intent in their “take a photo” activity. It triggers an intent representing “take or choose a photo”. The user presses “send photo” in your app.Fortunately, intents make it so you don’t need to reinvent the wheel, and better yet, they give the user the choice to use whichever camera app, photo picker, or photo editing app they have installed. Your first inclination might be to design a camera screen, along with a photo gallery picker, and possibly even a photo editor. It’s common to allow users to send images in these kinds of apps. “launch a photo-taking app and give me the photo”)įor example, suppose you’re building a messaging app. They can be generally defined and even return information to the previous activity (e.g.Their ability to work across apps (like enhanced versions of custom URL schemes for native desktop and iOS apps).Sounds straightforward, right? What makes intents really powerful is: Activities are connected using “intents.” For example, when you press a button in activity A, it can trigger an intent representing “launch activity B”. Under the hood, an Android app is just a collection of “activities”-each activity is normally a single screen in the app. Developers also have a bunch of tools at their disposal for automatically generating downscaled versions. Additionally, Android 5.0 has built-in support for vector icons and there are many tools out there that obviate the need for exporting per-density icon assets. For more on units of measure and density, check out the recommendations in the material design guidelines and Sebastien Gabriel’s Designer’s Guide to DPI. Note that Android will scale your assets down or up for you, so you don’t always have to provide one for each bucket. It is also the default visual language for Android 5.0+ devices, so learning the principles of the system will hugely benefit your project no matter where you start developing. Material Design is a new approach to cross-product, cross-platform design that uses tangible surfaces, bold graphic design, and meaningful motion to help define the way software should behave. This guide will walk you through some practical tips for moving from iOS to Android (and back again) without suffering a cultural divide. That way your users will be able to use and easily understand your app on the platform that is native to them, and you will have the most clear and true version of your product - no matter where it’s used. It’s important to understand the idioms and behaviors of each platform before you start design and development. Similarly, if you developed your product first for iOS, you shouldn’t simply expect that you can port it into Android without issue, because your app will feel lost in translation. In some countries, it’s ok to push people into the train, or eat a burger with a knife and fork. You go through the same motions-sleeping, eating, sightseeing, regardless of where you are-but the customs of the country you're visiting dictate how you go about doing them. Designing and developing between platforms is a lot like traveling through different countries. ![]() ![]() ![]() Ophelia is a beautiful name derived from a dark and mysterious piece.Crow is a classic black creature that is perfect for a black cat.Casper – Since the movie, the name has been associated with the unusual, making it ideal for black cats.Dracula is a famous, dark and mysterious character.There is nothing deeper or more mysterious than this moment. Fog. Fog is an emotional tendency that mimics the behavior of some cats.Phantom is the perfect description for quiet, hidden places.Shadow – shadows are always dark and mysterious.Safety first- safe chewable silvervine kitten sticks to play with. Charlie-Charlie Chaplin & Charlie Brown.Lucy-Lucy Pevensie (Chronicles of Narnia).Lily-Lily Luna Potter (Harry Potter movies).Luna-Luna Lovegood (Harry Potter movies).Purrfect non slip silicon, easy to clean food and water bowl. Goya – meaning ‘wild cat’ (South African). ![]()
![]() ![]() It won’t replace your prized Weller records, but it more than earns its spot beside them. Celeste and James Morrison also tog out, but this album is all about the guvnor, a songwriter and artist worthy of this quite often moving reinterpretation. On top of it all, Weller’s voice is in great nick, as evidenced by a duet with the worn but equally affecting pipes of Boy George on Style Council classic ‘You’re The Best Thing’, a song that is now playing in your head, which proves my earlier point about the strength of the Weller songbook. Long time Weller fanciers like myself may find themselves thinking, the odd time, that a drum kit wouldn’t go astray, but that passing fancy is soon washed away by another lush arrangement from Buckley like the opening of 'Still Glides The Stream', a phrase repeated within the song while cymbals are employed for emphasis, or the way the strings compliment the acoustic guitar in 'Movin' On', or 'White Horses', where the arrangement deftly builds on that which closed out 2018's True Meanings, an album that will, in time, come to be numbered amongst his very best. 'Wild Wood' becomes the theme song from the kind of epic movie that might pass a rainy Sunday afternoon, and you could probably play a song as marvellous as 'You Do Something To Me' on wah-wah kazoo and flanged stylophone and it would still sound great. Longer in the tooth classics like The Jam’s ‘English Rose’, transformed here to the kind of late sixties-recalling melancholic arrangement that might have had ‘The Walker Brothers’ stamped on it, or ‘Carnation’, which has a beautiful sadness, are also recommended. Some of the many highlights here are from those same recent albums, like ‘Rockets’ from 2020’s On Sunset, which may have found its more natural home amongst the orchestral sway and swell, and the woodwind, brass and xylophone employed to wonderfully alluring effect on that album’s magnificent title track, an elegy for a time and place Weller used to know. ![]() ![]() As to the first charge, Weller has released great record after great record over the last several years at a rate that would shame acts a third his age, and as to the second, I suspect Weller is long past caring whether you do or you don't. For others, this sort of quasi-highbrow reshuffling is usually either a sign of artistic stagnation or a bid to be ’taken seriously’. The thing to remember is the sheer breadth of those song writing achievements The Jam’s debut single and the first great Weller song ‘In The City’ – not included here, cop on – was released in April 1977 and he’s been knocking them over the bar with fire and skill since. Indeed, it’s simply been a continuation of the pattern that has dominated his work for the past 15 years nail down. Two albums On Sunset and Fat Pop (Volume One) have kept his creative fires burning, with the English maverick continuing to push ahead. The result – previously broadcast by the BBC - is another Weller winner. Paul Weller has had a productive lockdown. Back in May of this year, the Woking warbler performed selections from every corner of his brilliant career in the London Barbican with the BBC Symphony Orchestra, all under the direction of conductor and arranger Jules Buckley, a talent who's worked with everyone from Dizzee Rascal to John Cale. A joyous, zesty ‘My Ever Changing Moods’ is also a real highlight – part of the recent reappraisal of his work with the Style Council, it leaps and writhes with a soulful defiance, creating a pattern for others to follow.I dare say you could tar and feather a songbook as strong as Paul Weller’s before you threw it down the stairs and it would still sound just as sweet, although this is possibly the safer option. ‘Still Glides The Stream’ has an appropriately liquid-like quality, while ‘You Do Something For Me’ – arguably the apex of Weller’s 90s run – is twisted inside out. Boy George appears on ‘You’re The Best Thing’, while an unexpected turn from James Morrison doesn’t quite click into place on ‘Broken Stones’.Ī record to soak up at your own pace, ‘An Orchestrated Songbook’ is often at its most effective when the material takes a turn for the unexpected. The wonderful Celeste returns for ‘Wild Wood’, and their easy-going chemistry – they recorded early in her career – pushes the 90s favourite into a different realm. Jam-era favourite ‘Carnation’ is also given a luxurious workout, but it’s far from a nostalgia trip – recent tracks such as ‘Bowie’ emerge strong and emboldened.Ī largely solo affair, ‘An Orchestrated Songbook’ does feature a small smattering of guest spots. A lush ‘Andromeda’ gives way to a completely re-worked ‘English Rose’, a song that presents the Weller-Buckley creative axis as mirroring Nick Drake’s work alongside Robert Kirby on those seminal records. On record, it’s a brave endeavour that offers new light on elements of his storied discography. ![]() ![]() ![]() Transgenic mice expressing the luciferase reporter gene under the control of the MnSOD promoter-enhancer were used to monitor MnSOD expression in vivo after DMBA treatment with or without subsequent daily treatment with TPA (4 μg per mouse per day) for 25 weeks ( Fig. The data are expressed as the percentage of invasion. The stained nuclei on 6 randomly selected microscopic fields for each sample were counted, and the quantification of migrated cells was done in 3 independent experiments. The cells that migrated to the lower side of the filter were then fixed with 100% methanol for 2 minutes and stained with 0.1% crystal violet. Noninvading or nonmigrating cells were removed from the upper side of the Matrigel chamber by gently but firmly swabbing with cotton tips. The chambers were then incubated for 24 hours at 37☌, in 5% CO 2. The same number of cells was also seeded in the control chamber containing an identical polycarbonate membrane filter without Matrigel, for free migration and viability testing. The bottom chamber was filled with MEM supplemented with 10% FBA. Briefly, following transfection, 5 × 10 4 cells were added to the top chamber containing a polycarbonate membrane filter of 8-μm pore size with rehydrated Matrigel. Materials and MethodsĬellular invasion into Matrigel was done with the BD BioCoat Matrigel Invasion Chamber (BD Biosciences). As the tumor progresses and p53 activity is lost, MnSOD levels increase again, creating conditions in which cancer cells can survive under oxidative stress. When a tumor begins to develop, the modulation of stress-sensitive transcription factors, including p53, creates an environment of high oxidative stress achieved by the suppression of MnSOD. The data support a model in which activation of p53 by carcinogens leads to a reduction in MnSOD that precedes the appearance of cancer. The loss of Sp1 function exacerbates p53 siRNA–mediated cell transformation but not invasion. Using siRNA-knockdown approaches coupled with in vitro tumor invasion assay, we also show that suppression of p53 alone led to increased invasion. Here, we evaluated changes in MnSOD expression during the course of tumorigenesis and show that MnSOD expression was suppressed in early tumorigenic stages but was restored later in advanced carcinoma. p53 is mutated in at least 50% of tumors, and the wild-type p53 tumor suppressor is completely lost in many tumor tissues ( 18, 19). P53 is a transcriptional regulator with tumor suppression capability. These findings also provide strong support for the development of means to reactivate p53 for the prevention of tumor progression. The results identify MnSOD as a p53-regulated gene that switches between early and advanced stages of cancer. We used chromatin immunoprecipitation, electrophoretic mobility shift assay, and both knockdown and overexpression of Sp1 and p53 to verify their roles in the expression of MnSOD at each stage of cancer development. In squamous cell carcinomas, Sp1 binding increased because of the loss of functional p53. Exposure to DMBA and TPA activated p53 and decreased MnSOD expression via p53-mediated suppression of Sp1 binding to the MnSOD promoter in normal-appearing skin and benign papillomas. The suppression and subsequent restoration of MnSOD expression were mediated by two transcription-factors, Sp1 and p53. The results show that MnSOD expression was suppressed at a very early stage but increased at late stages of skin carcinogenesis. Here, we generated transgenic mice expressing a luciferase reporter gene under the control of human MnSOD promoter-enhancer elements and investigated the changes of MnSOD transcription using the 7,12-dimethylbenz(α)anthracene (DMBA)/12- O-tetradecanoylphorbol-l3-acetate (TPA) multistage skin carcinogenesis model. However, despite extensive studies in MnSOD regulation and its role in cancer, when and how the alteration of MnSOD expression occurs during the process of tumor development in vivo are unknown. Manganese superoxide dismutase (MnSOD) plays a critical role in the survival of aerobic life, and its aberrant expression has been implicated in carcinogenesis and tumor resistance to therapy. ![]() ![]() ![]() ![]() Additionally, you can sign up for our Daily or Weekly newsletters to receive these top-ranked articles right in your inbox, or you can sign up to be notified when new resources like webinars or ebooks are available. We use reader data to auto-curate the articles, meaning that the most valuable resources move to the top. 2019 eLearning Learning Summer Reading ListĮLearning Learning is a collection of the leading industry thought leadership in the form of blogs, webinars, and downloadable resources, on one convenient website.Have resources to share? Submit Your Own! Learn with the Flow: Digital Adoption Tactics That Drive Digital Transformation.The Roses and Thorns of an LMS Strategy: How to Flourish with the Right LMS.Authentic eLearning Localization: Challenges and Best Practices.The Real Cost of an Effective Learning and Development Program.Localization: Revolutionize Your Global Content Strategy.If you have any questions, don’t hesitate to get in touch with Evernote Developer Support. This data will change if a Resource is changed (obviously), so make sure that you’ve got the latest version when putting it to your favorite creative use. This example will produce the same output as the last snippet: Conclusion This data can also be retrieved quickly using NoteStore.getResourceRecognition if you know the GUID of the Resource in question. If the note used in this example had contained more than one resource, the output would have been one recoIndex element per indexed resource. ![]() Here’s an example using getNote:Īs you can see, the API will return the raw XML of the recoIndex element the corresponds to the single image in the example note linked above. Recogntion data can be retrieved from the Evernote Cloud API in two different ways: using NoteStore.getNote or NoteStore.getResourceRecognition. With Developer Tools open, go to the Application tab. Accessing recognition data programmatically Luckily Evernote left us an option- access to developer tools: In the top menu: View -> Advanced -> Toggle Developer Tools. Put simply, the weight attribute is a numeric representation of the Evernote image processor’s confidence in that particular interpretation of the image. The t elements are listed in descending order according to the weight attribute. Each of these elements contains the text as evaluated by the image processing server as well as the weight attributed to the text. The item element will, in turn, contain one or more t elements. These four values create a rectangle containing the text.
![]() In general it is best to keep lower cards & avoid keeping higher cards unless they are in melds, as the hand can end at any time. If somoene knocks with 0 deadwood they score a 25 point bonus. This difference is used to determine how many points the winner scored.įor example, if you knock and have 8 points of deadwood and your opponent has 18 points of deadwood you score 10 points while your opponent scores zero. When one player knocks the other player loys down their cards the deadwood between the two hands is compared. Numerical cards are worth their face value, aces are worth a point, and face cards are worth 10. The winnger player scores points based on which cards their opponent holds in their hand at the end of a hand which are not part of a set or run. When you knock your hand has 11 cards in it & you discard the eleventh card while keeping the 10 that are either parts of melds or have the lowest numerical value. If you have 0 deadwood points then knocking is called "Going Gin." In Gin Rummy a player does not need to lay tricks throughout the hand, but can knock (also known as going down) when the numerical value of cards in their hands that are not parts of sets or runs (called "deadwood") is 10 or less. In Gin it benefits players to play their sets and runs throughout the game as they do not have a chance to do so at the end of the game & are stuck holding whatever cards remain in their hand. You then discard a card and it is the other player's turn. On each turn you can choose to take the top card off the waste pile or pull a card from the stock. Playing TricksĮach player is dealt 10 cards. Going gin earns a 25 point bonus, and also the deadwood value of the other player. “Going gin” is when a player gets rid of all of their deadwood through melds. For example, if the knock card was a five, then the person who is knocking has five or less points left in their hand. When a player “knocks” it means that she has reduced her hand to the maximum points allowed by the value of the knock card. A run is made of three or more cards of the same suit in increasing or decreasing order. A “meld” is when a player has three or more of a kind, or by has three or more of a run. “Deadwood” are any remaining cards from your hand which are not part of a set or run. The goal is to get rid of “deadwood” by melding as many cards as you can in order to go knock or go gin. With each turn, they decide whether to take the top discard or to draw from the deck. Play continues back and forth as players try to create sets and runs in their hand. He may pass on this card, or add it and discard another. If player 1 does not want this card, he will draw from the deck. The player then discards another card, and places it on the pile. The player may keep the card to form a run, or discard it. If that player passes, player 2 begins the game by drawing the top card of the deck. If this player passes, then player 1 has the option to pick up the discard. The game starts with the non dealer deciding if she wants the face-up top card. A set is three or four of the same ranking cards. The objective of the game is to create runs and sets with your 10 cards.Ī run is three or more cards in a row of the same suit. The top card of the remaining deck is flipped up to create the discard pile. How To Play Gin RummyĮach player is dealt 10 cards. If you had the 7-8-9 of clubs and also wanted to use that same 7 as part of a set of sevens you can not & 2 of your sevens would count as deadwood. A-2-3 is a legal run, but Q-K-A is not.Įach card can only be used in one meld. Runs: three or more suited cards in numerical order.The goal of the game is to put your cards into melds of sets or runs. ![]() ![]() Gin Rummy is similar to the game gin, but is designed to be faster. Whatever the origins, Gin Rummy today is a widely played game with perhaps the peak being in the 1940's, where it was particularly popular in the United States. Conquian originated in Mexico in the mid-1800s and, like Gin, involved melding sets and runs. Gin Rummy, often shortened to “Gin”, may have evolved from 19th-century Whiskey Poker.Ĭard game historian David Parlett maintains that a game called Conquian was Gin Rummy's forerunner. The aim of Gin Rummy is to score points and reach an agreed number of points before your opponent does. You can toggle sound on and off using the speaker and music buttons within the game.The High Scores button shows the scores of previous games.You need to create three of four of a kind or three or more cards in a sequence or suit. Try to win a Gin Rummy game against a computer opponent. Play Gin Rummy Online for Free Game Features ![]() ![]() ![]() ![]() Semaglutide at a lower dose of 1mg weekly (trade name Ozempic) has been in use in Canada as a type 2 diabetes treatment since early 2018. While semaglutide 2.4mg is now approved in Canada, it won’t be on shelves until later in 2022, due to existing demand in the USA where it’s already in use. I also advise that there is about 1 in 1000 per year chance of pancreatitis. ![]() In terms of rare side effects, I counsel my patients that there is about 1% chance of getting gallstones over and above the risk of gallstone formation from weight loss alone. Recently, my colleagues and I published a paper on how to manage gastrointestinal side effects that can be seen with the GLP1 receptor agonist class. ![]() This can include nausea, diarrhea, constipation, heartburn, and/or vomiting. In terms of common side effects, about 20% of people can get gastrointestinal upset, mostly early on in treatment. Semaglutide 2.4mg is taken once a week, subcutaneously (under the skin) using a tiny needle. Or, if a person had been gaining weight prior to using weight management medication, and medication helps to prevent further weight gain, I would consider this a successful treatment as well. For example, if a person had lost weight with lifestyle changes prior to starting weight management medication, and the medication helps to prevent weight regain, this is considered a success of treatment (as per our Canadian Obesity Guidelines recommendation). This is an important step forward, as weight management is about improvement in health (not the numbers on the scale), and because defining success of a medication also depends on a person’s prior weight trajectory. In Health Canada’s product monograph for semaglutide 2.4mg, an important point is that there is not a weight-based stopping rule, whereas older obesity medication product monographs issued by Health Canada have advised discontinuation of weight management medication if 5% weight loss is not achieved. (note that the weight management medication naltrexone/bupropion (trade name Contrave) has also been shown to reduce cravings). My patients will often tell me that they feel challenged by difficult to resist cravings, so it’s great to know that semaglutide may be able to help with this. This study also demonstrated that semaglutide 2.4mg doesn’t just work by reducing appetite, but also by controlling cravings. Semaglutide treated patients demonstrated an impressive 15.8% weight loss at 68 weeks, vs 6.4% weight loss with liraglutide 3mg, vs 1.9% with placebo (with all participants receiving lifestyle counseling).ĭata now exists out to 2 years with semaglutide 2.4mg in the STEP5 trial, showing sustained weight loss. Semaglutide 2.4mg has recently been studied in the STEP8 trial in comparison to its older cousin, liraglutide 3mg (trade name Saxenda), which is an existing treatment for weight management in over 60 countries (including Canada). Many important health benefits were seen in the STEP clinical trials, including improvements in blood pressure, blood sugars, inflammation, quality of life, and physical functioning. It was approved in USA in June 2021, and has been approved in the United Kingdom as well.Īs blogged previously here , here and here, in the STEP clinical trial program, semaglutide 2.4mg taken once weekly demonstrated 16-18% weight loss together with lifestyle intervention in people without diabetes, and about 10% weight loss in people with type 2 diabetes. Today brings much excitement in the Canadian obesity treatment landscape: semaglutide 2.4mg (trade name Wegovy) has now been approved for weight management in Canada. ![]() ![]() ![]() ASSIGNOR(S) HEREBY CONFIRMS THE ASSIGNMENT. CORRECTIVE ASSIGNMENT TO CORRECT THE NAME OF THE ASSIGNEE PREVIOUSLY RECORDED ON REEL 017207 FRAME 0020. reassignment AVAGO TECHNOLOGIES GENERAL IP (SINGAPORE) PTE. Anticipated expiration legal-status Critical Assigned to AVAGO TECHNOLOGIES GENERAL IP (SINGAPORE) PTE. ![]() ASSIGNMENT OF ASSIGNORS INTEREST (SEE DOCUMENT FOR DETAILS). reassignment AVAGO TECHNOLOGIES GENERAL IP PTE. ![]() Assignors: HEWLETT-PACKARD COMPANY Assigned to AVAGO TECHNOLOGIES GENERAL IP PTE. Assignors: HEWLETT-PACKARD COMPANY, A CALIFORNIA CORPORATION Assigned to AGILENT TECHNOLOGIES INC reassignment AGILENT TECHNOLOGIES INC ASSIGNMENT OF ASSIGNORS INTEREST (SEE DOCUMENT FOR DETAILS). Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.) Filing date Publication date Priority to US25975394A priority Critical Priority to US51295995A priority Application filed by Hewlett Packard Co filed Critical Hewlett Packard Co Priority to US08/711,315 priority patent/US5726587A/en Application granted granted Critical Publication of US5726587A publication Critical patent/US5726587A/en Assigned to HEWLETT-PACKARD COMPANY, A DELAWARE CORPORATION reassignment HEWLETT-PACKARD COMPANY, A DELAWARE CORPORATION MERGER (SEE DOCUMENT FOR DETAILS). Original Assignee Hewlett Packard Co Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation or warranty as to the accuracy of the list.)Īvago Technologies International Sales Pte Ltd Ratner Current Assignee (The listed assignees may be inaccurate. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.) Expired - Fee Related Application number US08/711,315 Inventor Steven J. Google Patents BiCMOS tri-state buffer with low leakage currentĭownload PDF Info Publication number US5726587A US5726587A US08/711,315 US71131596A US5726587A US 5726587 A US5726587 A US 5726587A US 71131596 A US71131596 A US 71131596A US 5726587 A US5726587 A US 5726587A Authority US United States Prior art keywords emitter base tri state buffer inverting amplifier Prior art date Legal status (The legal status is an assumption and is not a legal conclusion. Google Patents US5726587A - BiCMOS tri-state buffer with low leakage current US5726587A - BiCMOS tri-state buffer with low leakage current ![]() |